如果我留下

你评价一部电影的好坏是什么？

我的很简单，笑点能让我发自内心的笑，哭点能让我潸然泪下，同时不摁快进键，即使知道结局。

如果知道女主角是贝家大公子的绯闻女友，估计看片的时候会有更多的挑剔，就像你习惯给熟悉的人更多的挑剔，给陌生人更多的宽容。

当然，喜欢这部电影并不是因为对陌生主角的宽容，而是它真的让我情不自禁的流泪。

串联全片的是女主的爱情故事，才气男友最后也不离不弃，但最能拨动泪腺的是为数不多展现亲情的镜头。

全神贯注听小女儿演奏大提琴的爸爸，放弃了自己的摇滚；宽慰失恋女儿的潇洒妈妈；还有在病床前慈祥而又坚毅的爷爷，“I want you to live.I want that more than anything in this world.I want you to fight like hell to stay with us.But with everybody else gone,I know it might be not what you want,It might be too hard for you to keep fighting,So if you wanna go,i want you to know it's ok. It's okay.I understand. ”在你成长的过程中一定想象过要是父母兄弟都离你而去的画面，你觉得是解脱的轻松吗？

反正我是不寒而栗，不敢进一步想象。

有父母在，就有永远是作为儿女的任性，有兄弟姐妹在，就知道总会有人与你嬉笑打闹共担风雨，所以当这一切都不在的时候，生比死反而需要更大的勇气。

我相信女主角最后还是醒过来了，因为还有那么多人为她守候，慈祥坚毅的爷爷，不离不弃的男友，两肋插刀的朋友。

她的前面还有窗，她的前面还有光。

这个故事本来不错的，改编自畅销书，看起来书应该会强一点，电影就不行，给我的感觉完全是一个过去一个现在，然后平均的剪成相同的数量，再你一个我一个拼出来的电影，前后的衔接各种怪怪的，比起我今天回顾的《消失的爱人》，简直一个天一个地。

当然，我们不能把这个导演跟我们的芬奇大神去比...我发现看电影之前看评论是不好的，至少看差评是不好的，因为看差评就会导致看电影的时候尽挑差的地方看。

这片是烂，但它在亲情上面的传达的东西却很棒（爱情方面就懒得提了…什么破爱情这是…），而且很直白。

首先女主有个好爹和一个好妈，以前都是玩摇滚的，现在成了模范父母，太cool了，接着是他们各种逗比，各种和小孩玩成一块，他们各自都有对女儿充满爱的巧妙回答，我想正是这些回答打动了我，我想，当你发自内心这么答的时候，你绝对是爱自己孩子的，我毫不怀疑。

本来在友邻上已经分享了那些很棒的片段，无奈友邻一次只能传9张图片，所以还是觉得不完美，有些话很重要不能缺，我决定在日记上补上。

走起。

PS：牺牲，什么是牺牲，挂在嘴边的牺牲不是牺牲，真正的牺牲，对于牺牲的那个人来说，不是牺牲，它只是一个选择，自己情感的一个选择，没有所谓后悔没有所谓你不要辜负我bla bla bla，它纯粹是自己的选择，而这个选择，在对方看来，可以是伟大的牺牲，是发自内心的爱，传递出来的是力量，不是负担。

So this turned out to be the movie I chose as my last movie of 2014 & first movie of 2015. What drew me in was the title and the general idea of choosing between life and death. Halfway through, not knowing how it'll end, I was reminded yet again how much I hate unhappy endings, even though happy ones do leave less of a mark. Low expectations really helped. I knew beforehand it couldn't hold a candle to "TFIOS", and later decided for myself that it was indeed not great, but also not terrible either. Many "shining points" made me want to read the book for more of them. And it made me cry, rather easily. I got close to tears when "Gramps" spoke to Mia in the car after the audition, and shed a few when he spoke to her again by the hospital bed, when he told her what her father sacrificed for her. Oh yeah, I was already pretty touched by that scene in which her father gave her the cello -- beautifully wrapped -- as a present. I cried again when Adam begged her to stay in the end. When they left me hanging for a while at the very end, I was dying to know her choice and begging her to stay as well. I already knew this very well, but them Yankees really, really know how to love and how to live. Look at her grandfather in the car: when he felt something and knew it to be true, he expressed it. Loud and clear. Leaving no regrets. Then to top it off, throw in some physical closeness -- in this case, a long and hard hug. That's how you say how much you love someone, instead of the way I'm used to -- no words, to touch, only implied and guessed. Also, look how they have fun: the concerts, the bonfire, "live in the moment"... God I'm so jealous. I have wasted more than 24 years of my life. How many more years do I get? How many more could I afford to waste?"Life is what happens when you're busy making other plans.""Seriously, I respect any musician who just leaves it all on the stage like that. She was awesome.""Because I like to watch you play. You go to another place. And you're beautiful.""No, baby, I didn't give anything up. I played that adventure out, and then it was time for a new adventure with you guys. And sometimes you make choices in life, and sometimes choices make you. Does that make any sense?""Even when they were just wasting time, they weren't wasting time. It was as if no time they spent together could ever be wasted.""You're going to go to Juilliard and play the hell out of your cello. Or you're not. You're gonna stay with Adam and have lots of amazing adventures. Or you're not. Or maybe tomorrow, the Earth's gonna smash into a meteor. Or it's not. Life is this big fat gigantic stinking mess. But that's the beauty of it too. Whatever you do, I support you. Either way, you win. And also either way there's something that you lose. What can I say, baby? True love's a bitch."

本片以第一人稱的角度拍攝，女主角從完美的家庭、學業、愛情中突然出現分歧，在她生命中最重要的一部分突然都離她而去，劇情很緊湊但是很完整，而且結尾跟小說略有不同，推薦不喜歡狗血式愛情的影迷們看看，劇中男女主角呈現的愛情方式，從認識、約會、交往的過程中都走純情的路線，如果想要找回初戀的感覺，超推這部影片的，而且這部片呈現親情的觀點也佔了很大一部分，看完之後還會讓人有很多方面的省思。

剧本很不错，但力度不足！

科洛的出色演技证明了她能重口味也能小清新。

看她演一个普通少女实在难得，而且还是拉大提琴的，那种清纯又高雅的气质，对比之前演绎的Hit girl、吸血鬼还有嘉莉，哇哦脱胎换骨的感觉有木有！

男主角Adam的扮演者Jamie Blackley也相当帅气有型，独立摇滚青年范儿十足。

电影中，借闺蜜，男主角，说出了多少小女生的白日梦。

“真想有一天我在教室里拉琴，有一个男生看到了我，然后爱上乐我拉琴时专注的模样，然后每一次练琴，他都会悄悄注视着我” “真想有一天一个弹吉他的男生在我面前弹一首写给我的歌” “我总是孤芳自赏，没有人理解我。

当所有年轻人都崇尚摇滚的时候，高傲冷艳的我却只爱古典乐，我跟这些俗人聊不到一起去” “希望能有一个帅哥看穿我的空虚寂寞，跟我说，我心疼你，我喜欢你演奏时的样子。

” 这不就是杯绿茶么？！

关于大提琴的片子我基本都会看，所以当我知道这位年纪轻轻的好莱坞新秀要出演一个拉大提琴的女生，说实话还蛮期待的。

等我迫不及待看了之后，数万只草泥马在我脑海中呼啸奔腾而过。

首先，这部片子标榜大提琴片，就已经侮辱了大提琴。

在这部电影里，大提琴已经不是乐器了，而是衬托女主角“高雅气质”的道具，为了把女主角和其他众多路人区分开的道具。

大提琴沦为工具人！

其次，这部片子完全是科洛莫瑞兹的个人秀。

在好莱坞应该也有个有钱人拼命捧她，不然为什么凭借她的演技能在这么多电影里成为独一无二的女主角？

剧组拍摄的角度完全不是靠剧情的，而是靠女主角的脸型！

更别说她毫无美感的冲天鼻孔，每次看的时候我就恨不得拿个插销插她鼻子上。

里面的台词矫揉造作堪比琼瑶，每句话都在试图抬高女主角寂寞冷艳，让人反感地要命。

原来美国的青春疼痛片是这样子啊，那跟小四也差不了多远嘛。

那么女主角不应该光喜欢拉大提琴啊，应该手里再捧一本加缪的！

当男主角深情告白的时候，女主角还要欲拒还迎，假惺惺的问，为什么是我？

我嘞了豆你把那副故作疑惑的表情收起来求求了。

那时候我就已经按捺不住心中的冲动想要删电影了，tm费我3个G的硬盘！

这个故事也许看起来一切都还OK，但是深入进去，发现这一切都像崩塌了一样。

如果这一切发生在我身上，我该怎么办，我是留下还是结束这一切呢。

我预测不了这个结果，只知道，胆怯如我，一定会选择逃避。

喜欢女孩为了梦想而活，也感激男孩勇敢的表白。

如果留下，要更感激生命。

每一天都是美好的一天，每一天都有太阳升起。

我们应该快乐。

1. 那个我喜欢的乐队刚开始看这部电影的时候，被吸引的整个都是那个乐队。

想到了自己喜欢一个乐队的心情。

不是多么有名的乐队，但就是喜欢他们，想要追着他们，看着他们越来越成长的时候却又有些不甘心，就像自己心爱的东西不得不跟别人分享。

觉得「能有一个玩儿音乐的男朋友真好啊」之类的。

一起疯一起叫，那种心情大概不追乐队的人是体会不了的吧。

想象着有一天我也可以跨越海洋去看他们的表演，live完一起庆功宴，新年一起party，也许跟其中的几个人成为好朋友。

只是普通人的自己和只是普通人的乐队的他们，应该也没有那么大的差别吧。

只有当他们站在舞台上的时候。

乐队站在舞台上的时候总是闪闪发光的。

绚丽的灯光，台下人的尖叫。

当他们站在台上的时候又变得那么触不可及。

但我还是想要一个玩儿音乐的男朋友。

他们会为你写歌，他们会在live的时候只看着你的眼睛，他们会在庆功宴的时候也带你去。

追着乐队的你，一定知道我在说什么。

2. Sacrifice. That's what we do for the people that we love.- I've been trying to think of what Denny would want me to say to you. The kid was a helluva of dad, wasn't he? He sure had me beat. I remember the day that he quit the band. He just up and said, "That's it. The time has come." I was surprised. I never really liked the way the band sounded, but I knew how important it was to him. And so I asked him, I said, "Why are you quitting?" And he said, "You make sacrifices for your kids." "For your kids." He said that without even blinking. That's why he quit the band.- For Teddy.- For you. It was when he heard you play so well. I think that's when it clicked for him. Your incredible talent, it... He just couldn't believe it. And all he want to do was to give you more. So, he quit the band, he sold his drum kit and he bought you that cello. Sacrifice. That's what we do for the people that we love. And here's mine, Mia. I want you to live. I want that more than anything in this world. I want you to fight like hell to stay with us. But, with everybody else gone, I know it might not be what you want. It might be too hard for you to keep fighting, so... If you wanna go, I want you to know it's okay. It's okay. I understand.

可能是因為燒腦科幻片看噠太多反而對這種純愛電影沒太大感覺。

但實在是太喜歡Chloë所以居然還是看哭暸....不過和The Fault Of Our Stars相比感人程度還是弱暸那麼一截兒...這種青少年愛情也祇可能發生在Portland這種人煙稀少噠地區暸吧...在大城市應該就不是這種故事暸...另外因為一直在追Grimm。

看著看著總是跳戲...總覺得一會兒會有甚麼Wesen跑出來殺個人然後Nick和隊友們去破案打怪...總之呢。

給Chloë噠純美噠五分兒...流口水ing！

We, grown-ups, seems to be stubbornly convinced that young adult stories are stupid, and only teenagers themselves will be silly enough to fall in love with this kind of "so-called" romantic novels. For that we already knew the transitory characteristic of love. We understand it, crystal clear, right from the beginning of the film that their love story might not even live through the winter, they are not going to survive the long distance after high school, not to mention that the post-traumatic stress our heroine must deal with as long as she wake up after the car accident(, though this is the story in its sequel 'Where She Went'). We know that, time itself might bring an end to the relationship between this young man and this young woman.But, is it not the most beautiful part of every teenager love story, or of puberty? What make those young children, those teenager boys and girls so attracting is that they take their pure love, their approaching departure, their breakup as this important that their hearts are tortured by whips for thousands of times. The pain is all that matters, that hurts, that suffocates, and they think they will never get through this. They struggle, they quarrel, they cry, they reconcile with each other, as love and pain remains the only theme of their adolescence.They do not know now, but they will understand it one day, that all these love and pain, joy and suffering will become a memory with bitter sweets or even a memory with no colour, a memory that brings back no sensation. However, this never counteract the real experience they are right now undergoing. All these hurts, all these emotions, all these tears are once so real, that almost break their hearts or already broke them. They live in drama, not because they are affected, but their lives are filled with dramatic conflicts. Not until the puberty ends, along with the death of drama, will these whole true life-play come to a termination.Then, teenage love, which is so void but sincere, dies alongside with it.